The leading authority on Japanese art history, from earthenware figurines in 13,000 B.C. to manga and modern subcultures, tells the story of how the country has nurtured unique aesthetics, prominent artists, and distinctive movements. Discussing Japanese art in various contexts, including interactions with the outside world, Nobuo Tsuji sheds light on works ranging from the Jom...(展开全部)

History of Art in Japan is a fully illustrated overview of Japanese art, written by one of Japan’s most distinguished art historians. This masterful account of the country’s exceptional cultural heritage sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. A leading authority on Japane...(展开全部)

【美】安德鲁•戈登 （Andrew Gordon） 美国哈佛大学历史学教授、现代日本史研究专家，曾任哈佛大学历史系主任及赖肖尔日本研究中心主任，主要研究领域为现代日本的政治史和社会史。 著述、编写及翻译有多部重要著作，2003年出版的《现代日本史：从德川时代到21世纪》已成为欧美高校的核心教科书，并持续修订，成为检验学术研究进展的黄金标准，被译成中文、日文和韩文等近20种语言。他的另一本专著《战前日本的劳工与帝国民主》（Labor and Imperial Democracy in Prewar Japan）荣获美国历史学会费正清奖。他的新著《制造消费者:现代日本的缝纫机》（Fabricating Consumers: The Sewing Machine in Modern Japan）已于近期出版。 【译者简介】 李朝津 早年就读于台湾大学及香港...(展开全部)

【美】安德鲁•戈登 （Andrew Gordon） 美国哈佛大学历史学教授、现代日本史研究专家，曾任哈佛大学历史系主任及赖肖尔日本研究中心主任，主要研究领域为现代日本的政治史和社会史。 著述、编写及翻译有多部重要著作，2003年出版的《现代日本史：从德川时代到21世纪》已成为欧美高校的核心教科书，并持续修订，成为检验学术研究进展的黄金标准，被译成中文、日文和韩文等近20种语言。他的另一本专著《战前日本的劳工与帝国民主》（Labor and Imperial Democracy in Prewar Japan）荣获美国历史学会费正清奖。他的新著《制造消费者:现代日本的缝纫机》（Fabricating Consumers: The Sewing Machine in Modern Japan）已于近期出版。 【译者简介】 李朝津 早年就读于台湾大学及香港...(展开全部)

Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the "other side of Zen," by examining the movement's explosive growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the broader Japanese religious landscape during the era. Using newly-discov...(展开全部)

What is time made of? We might balk at such a question, and reply that time is not made of anything—it is an abstract and universal phenomenon. In Making Time, Yulia Frumer upends this assumption, using changes in the conceptualization of time in Japan to show that humans perceive time as constructed and concrete. In the mid-sixteenth century, when the first mechanical clocks a...(展开全部)

What is time made of? We might balk at such a question, and reply that time is not made of anything—it is an abstract and universal phenomenon. In Making Time, Yulia Frumer upends this assumption, using changes in the conceptualization of time in Japan to show that humans perceive time as constructed and concrete. In the mid-sixteenth century, when the first mechanical clocks a...(展开全部)